The Great Gatsby is a 1974 film made by Newdon Productions and Paramount Pictures. It was directed by Jack Clayton and produced by David Merrick with Hank Moonjean as associate producer, from a screenplay by Francis Ford Coppola based on the novel of the same title by F. Scott Fitzgerald. The music score was by Nelson Riddle and the cinematography by Douglas Slocombe. The production was designed by John Box.

The film stars Robert Redford, Mia Farrow, Bruce Dern, Karen Black, Scott Wilson and Sam Waterston with Lois Chiles, Howard Da Silva, Roberts Blossom and Edward Herrmann. Patsy Kensit, aged 6, appears in her second film role (her first being in For the Love of Ada two years earlier), while Tom Ewell's (uncredited) minor role was edited out of the published version of the film.

The Great Gatsby is a 1926 silent film adaptation of the novel The Great Gatsby by F. Scott Fitzgerald. It was made by the Famous Players-Lasky Corporation and Paramount Pictures, directed by Herbert Brenon and produced by Jesse L. Lasky and Adolph Zukor. The film is a famous example of a lost film.

The Great Gatsby is a 1949 film made Paramount Pictures. It was directed by Elliott Nugent and produced by Richard Maibaum, from a screenplay by Richard Maibaum and Cyril Hume based on the novel of the same title by F. Scott Fitzgerald and the play by Owen Davis. The music score was by Robert Emmett Dolan and the cinematography by John F. Seitz. The production was designed by Roland Anderson and Hans Dreier and the costumes by Edith Head.

The film stars Alan Ladd, Betty Field, Macdonald Carey, Ruth Hussey, Barry Sullivan with Shelley Winters, Howard Da Silva and Elisha Cook Jr.

This version was the second film version of the novel, after the 1926 silent version, which is now considered "lost," because no known prints exist. The story was filmed again in 1974, with Robert Redford and Mia Farrow and in 2000, for television, with Toby Stephens and Mira Sorvino.

The Great Gatsby is a 2000 made-for-television film adaptation of the the novel of the same title by F. Scott Fitzgerald.

It was made in collaboration by the A&E Cable Network in the United States, and Granada Productions in Great Britain. It was directed by Robert Markowitz from a teleplay by John McLaughlin. The music score was by Carl Davis and the cinematography by Guy Dufaux. The production was designed by Taavo Soodor.

The film stars Toby Stephens, Mira Sorvino, Paul Rudd and Martin Donovan.

This version is the fourth time that The Great Gatsby has been filmed.

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbor, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Written by Cleo

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifetyle of his landlord, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Written by Cleo

Nick Carraway, a young Midwesterner now living on Long Island, finds himself fascinated by the mysterious past and lavish lifestyle of his neighbour, the nouveau riche Jay Gatsby. He is drawn into Gatsby's circle, becoming a witness to obsession and tragedy. Written by Cleo

Gangster/bootlegger Gatsby buys a West Egg mansion to which society flocks for endless parties. Daisy and Jay were in love eleven years earlier but Jay went overseas in World War I and Daisy married wealthy Tom Buchanan. Gatsby hopes to rekindle the love with Daisy. When Daisy runs over Tom's mistress (Myrtle, the wife of Wilson who runs the garage down the road) Gatsby offers to take the blame. Written by Ed Stephan

isy Buchanan: I love you now. Isn't that enough?

lfsheim: You like my cuff buttons? ck Carraway: Ivory? lfsheim: Human molars. ck Carraway: ...Unique.

ck Carraway: Is something happening? rdan Baker: Tom's got a woman in New York. You surprised? ck Carraway: Actually I'm more surprised that he was depressed by a book.

ck Carraway: Your place looks like the World's Fair.

l Eyes: [At Gatsby's funeral] I couldn't get to the house. ck Carraway: Neither could anybody else. l Eyes: Why my God, they used to go there by the hundreds. Poor son of a bitch. ck Carraway: [Narrating] Daisy hadn't sent a message or a flower. Poor son of a bitch.

y Gatsby: This was a terrible mistake. ck Carraway: You're just embarrassed. Daisy's embarrassed too. y Gatsby: She's embarrassed? ck Carraway: You're acting like a little boy. Not only that, you're rude. Daisy's sitting in there all alone.

ck Carraway: You can't repeat the past. y Gatsby: Can't repeat the past? Of course you can!

l Eyes: What do you think? rdan Baker: About what? l Eyes: About THAT. rdan Baker: Books? l Eyes: They're real. Here. Let me show you. They have pages in them. See? A bonafide piece of printed matter. It fooled me. I've been drunk for about a week and I thought a library would sober me up. rdan Baker: Did it help? l Eyes: I can't tell you. I've only been here an hour.

ck Carraway: [First lines] [narrating] In my younger and more vulnerable years, my father gave me some advice that I've been turning over in my mind ever since. "Whenever you feel like criticizing anyone," he told me, "just remember that all the people in this world haven't had the advantages you've had." While reserving judgments is a matter of infinite hope, I've come to admit that my tolerance of human behavior has its limits. Gatsby, the man who gives his name to this story, represented everything for which I have an unaffected scorn. And yet there was something gorgeous about him. Some hightened sensitivity to the promises of life, a romantic readiness such as I've never found in any other person and which it is not likely I'll ever find again.

ck Carraway: The history of that summer really begins when I drove across the bay to the more fashionable East Egg to have dinner with the Buchanans. Daisy was my second cousin once removed and I'd known Tom in college. His family was enormously wealthy and he'd been one of the most powerful ends that ever played football at Yale. He and Daisy had spent a year in France drifting aimlessly among the rich. "This was to be a permanent move," Daisy told me over the telephone. But I didn't believe her.

isy Buchanan: So how are things in Chicago? Do they miss me? ck Carraway: There's a persistant wail of mourning all along the north shore. isy Buchanan: Oh how gorgeous! Let's go back, Tom, tomorrow.

rdan Baker: You're from the Midwest. Can't you distract us with some insight about crops?

ck Carraway: [Narrating] I'd been drunk just twice in my life and the second time was that afternoon. So everything that happened had a dim, hazy cast over it.

y Gatsby: Your face is familiar. 3rd Division? ck Carraway: 9th Machine Gun Batallion. y Gatsby: 7th Infantry until June of '18. I know I'd seen you before.

ck Carraway: [about Wolfsheim] That's an interesting guy. What is he, a dentist? y Gatsby: No, he's a gambler. [quietly] He fixed the 1919 World Series.

y Gatsby: You want anything, you just ask for it, old sport. ck Carraway: 'Old sport.' Who is this guy? rdan Baker: Just Gatsby. ck Carraway: Where's he from? rdan Baker: I hear he's an Oxford man, although I don't believe it. ck Carraway: No? Why? rdan Baker: I just don't think he went there. Anyhow he gives large parties and I like large parties. They're so intimate. At small parties there's never any privacy.

rdan Baker: When I first met you, Daisy came up to my room later and woke me. She wanted to know what Gatsby. When I described him, she said in the strangest voice it must be a man she knew. Then it all came back to me. They knew each other in Louisville five years ago. We ran with different crowds then but I remember seeing them together once in her car. And I remember he looked at her in that way that all young girls want to be looked at sometime. ck Carraway: A strange coincidence. rdan Baker: It wasn't a coincidence at all. I think he half expected her to wander into one of his parties some night. She never did. ck Carraway: What do you mean? rdan Baker: Gatsby bought that house so that Daisy would be just across the bay. He wants to know if you'll invite her over to your house some afternoon and let him come over. ck Carraway: Why didn't he ask you to arrange a meeting? rdan Baker: He wants her to see his house, and your house is right next door.

isy Buchanan: [looking at her bruised finger] Oh, look. I hurt it. Tom did it. Oh, you did do it even if you didn't mean to. That's what I get for marrying a brute like you. A great hulking specimen of a man. m Buchanan: I hate the word 'hulking'. Even in kidding. isy Buchanan: Hulking.

isy Buchanan: So why did you ask me to come alone? Are you in love with me? ck Carraway: [chuckles] No. isy Buchanan: [Walks into the house] Oh! Flowers! Are we having a funeral? isy Buchanan: [hears Gatsby knocking on the door] And that must be the corpse!